Tuesday, 16 December 2014

BFI EXIT POLLS


11/9/14 | RESEARCH | BFI EXIT POLLS

I wanted to find out about how exit polls give information about gender and age of audiences so I went to the BFI website. The BFI says that they carry out exit poll surveys for all the films they support using their distribution fund. It does this by asking cinemagoers about themselves and their interests so that distribution companies can market their films more effectively. This is the website I went to: http://www.bfi.org.uk.

I wanted to find out about the audiences who are likely to see a film like mine (with psychological thriller aspects). I looked at five case studies on the BFI website:
A Dangerous Method (Dir. David Cronenberg, 2011)
I also conducted some qualitative research into audiences on IMDB and Rotten Tomatoes. This is a review on A Dangerous Method copied from the website. I got this from http://www.rottentomatoes.com:
Cronenberg doesn't go in for any exploding heads this time, but the surging emotions and heady ideas on display in his adaptation of Christopher Hampton's play The Talking Cure are equally combustible”
 
The Girl with the Dragon Tattoo (Dir. David Fincher, 2011)
Qualitative research, http://www.rottentomatoes.com
 
 


Is Anybody There? (Dir. John Crowley, 2009)
 
Qualitative research, http://www.imdb.com
“What I admired about this film that it doesn't paint the elderly as something to be pitied or feared. The film is rounded out by a cast of mostly unknown British actors (at least by me, anyway, but it didn't diminish the film one bit). A screenplay that equally mixes humour, drama & pathos makes for a sparkling cocktail of a film that will have the viewer exiting the cinema feeling good”
Them (Ils) (Dir. Xavier Palud, David Moreau, 2006)



Qualitative research, http://www.rottentomatoes.com:


 
Fifty Dead Men Walking
 
Qualitative research, http://www.rottentomatoes.com:
What makes Fifty Dead Men work is the story's sheer moral complexity, which dares viewers to sympathize with anyone onscreen for more than a few minutes at a time”.
From my research of case studies on BFI Exit Polls I conclude that psychological thrillers are watched by both males and females of all ages. It is a very broad audience to appeal to.

 
 

Wednesday, 3 December 2014

PRODUCTION LOG UPDATE: CALL SHEET

This is a call sheet I created for our next shoot we need to do to complete our filming

GCSE Media Studies Call Sheet for Psychological Thriller

 

Shoot date: 20/12/14

 

Location: ** Priory Close, Walton-on-Thames, Surrey, KT12 1**

 

 

Camera equipment:

Canon D60

Tripod

 

Lighting equipment: N/A

 

 Crew: Eleanor, Amber, Harriet

 

Harriet Mobile:  07*********                                          Email Address: harriet@gmail.com

 

Eleanor Mobile:  07****556**                         Email Address: eleanormcchesney@gmail.com               

 

Amber Mobile: 07********                                             Email Address: amber@gmail.com

 

 

Props:

Metal rope

 

Wardrobe Erica:

White nightdress

 

Wardrobe Faith:

Floral dress

Hair ribbon

 

Wardrobe Chloe:

Skinny jeans

Jumper

 

Wardrobe Hannah:

Skirt

Tights

Jumper

Tuesday, 2 December 2014

MOCK EXAM FEEDBACK

Guidance on mock exam:
  • Be sure to include specialist terms (e.g. action and adventure hybrid, diegetic sound, VFX) throughout answers
  • Consider and analyse a broader range of representations (e.g. ethnicity) in the extract. Say what the intended reading of the text is (e.g. a sympathetic understanding of what it is like to be an immigrant)
  • Be specific and descriptive when making points (e.g. villainous antagonist, heroic protagonist)
  • Revise editing (e.g. shot-reverse-shot comes under editing not camerawork)